Lee Miller (1907-1977) (Gender, Gaze and Otherness)

PHOTOGRAPHER RESEARCH:

LEE MILLER


Lee Miller, photograph by Arnold Genthe (1927) Museum no. PH.98-1984, © Victoria and Albert Museum, London


“One of the most remarkable female icons of the 20th century – an individual admired as much for her free-spirit, creativity and intelligence as for her classical beauty (V&A, 2008).

Following an in-class presentation on the topic 'Gender, Gaze and Otherness' by fellow students, I was greatly inspired to research the work and life of Lee Miller further.

Lee Miller first became affiliated with photography when modelling in New York for great photographers such as Edward Steichen and Arnold Genthe (pictured left) in the mid-late 1920s.

Miller contributed to Vogue as both a model and photographer throughout her career, but it is her surrealist work and harsh documentation of life during World War II that I am most astounded by.

In 1929, Miller sought out photographer Man Ray in Paris, becoming his lover, pupil and muse. It is here that she learned and mastered techniques of lighting, printing and the 'solarization' process - one that reverses highlights into blacks (a technique which the influence of can be seen in her clever use of light contrasting evident in all her black and white photographs) (V&A, 2008).

War, 1940-45







Children celebrating the liberation of Paris, France, 1944. (Lee Miller Archives)



By 1943, Miller had signed on as the official war correspondent for British Vogue. The above images show a selection that I find particularly touching and resonant.

Her photographs are simply haunting. Yet even amidst the war Miller was able to seek and capture laughter and warmth, shown in the photo Children celebrating the liberation of Paris, France, 1944.

Her son Antony Penrose (Son of Miller and Roland Penrose) described in his 1998 biography of his mother, The Legendary Lee Miller: Photographer, 1907–1977, her unique background capturing uncanny moments and haunting, bizarre portraits during the heyday of the Surrealist movement served her well in war photography. “Unexpectedly, among the reportage, the mud, the bullets, we find photographs where the unreality of war assumes an almost lyrical beauty,” wrote Penrose. “On reflection I realise that the only meaningful training of a war correspondent is to first be a Surrealist—then nothing in life is too unusual.” (Weiss, H., 2018, for Artsy).


Lee Miller in Adolf Hitler's Bathtub, Munich, 1945 - David E. Scherman


"Her photojournalism is hard-hitting, but even in documenting one of the bleakest chapters of human history, shows evidence of her artistic, Surrealist eye" (Williams, H., 2015, for The Independent).


The above quote can be read in reflection of one of Miller's most famous photographs from the War period, the self-portrait of Miller washing herself naked in Hitler's bath (image above). Still as powerful and unsettling as any war photograph, this image highlights Miller's satirical angle and approach to visual storytelling.

I am inspired by Miller's ethic, moral persuasion and dedication to her work - the fact that she was a woman photographing horror's of war must not be undermined, and is in itself testament to her character and emphasises the importance of her legacy. She succeeded in a man's world, and her work transgresses gender boundaries of war and journalism at that time. Miller provides a crucial document of the life behind propaganda during mid-war Germany. Her choice of perspective behind her photographs allows us an insight into the terrors that occurred, through her gentle yet demanding gaze.
I aim to harness the same unapologetic boldness of photography in my own work, being always mindful of my message and my intentions behind my photographs content, to be confident and not limited in my thinking or practice to allow my work to showcase its message justly.


All images of Lee Miller's work available and accessed through Lee Miller Archives via her website: https://www.leemiller.co.uk/mediasearch/Picture-Library/


Lee Miller (2018) Lee Miller Archives. Available at: https://www.leemiller.co.uk/component/Main/17ToA3p1yfaBss9G2InA3w..a (Accessed 23 May 2019).

V&A South Kensington (2008) Lee Miller: The Art of Lee Miller. Available at: http://www.vam.ac.uk/content/articles/l/lee-miller/ (Accessed 23 April 2019).

Williams, H. (2015) When Picasso Met Lee Miller. Available at: https://www.independent.co.uk/arts-entertainment/art/features/when-picasso-met-lee-miller-10269263.html (Accessed 23 April 2019). 

Weiss, H. (2018) The Vogue Model Who Photographed World War II—and Became a Surrealist Icon. Available at: https://www.artsy.net/article/artsy-editorial-vogue-model-photographed-war-ii-surrealist-icon (Accessed 23 March 2019).



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