PROJECT PROPOSALS: GENDER REPRESENTATIONS IN THE MEDIA vs IDENTITY THROUGH HAIR
PROPOSAL 1: FEMALE IDENTITY THROUGH HAIR
Jean Shrimpton, evening
dress by Galitzine, Hair by Alexandre, Paris, August 1965 - RICHARD AVEDON
|
Twiggy, hair by Ara Gallant, Paris, January 6, 1968 - RICHARD AVEDON |
Sophia Loren, hair by Ara
Gallant, New York, October 2, 1970 - RICHARD AVEDON
|
Mkpuk Eba, 1974, Silver Gelatin Print - OKHAI OJEIKERE |
My own photograph (see post STUDIO) |
PROPOSAL 1:
Inspired by the work of photographers I have researched,
including J.D. Ojeikere and Richard Avedon (see separate posts), and after
practising a replication of Avedon’s work using fast shutter speed and lighting
techniques in the photographic studio capturing hair movements, I had the idea
of exploring this theme further by focusing on the movement of hair and
consequently the way the hair of my subject/subjects used represents their
identity. I could use female and/or male subjects, of varying ages and hair
types etc., but I would aim to use a neutral/plain background to allow the form
of the hair to be highlighted.
PROPOSAL 2: GENDER REPRESENTATION IN THE MEDIA
(See corresponding posts for image references) |
PROPOSAL 2:
Inspired
by the work of Mayotte Magnus, Mary McCartney (see RESEARCH TRIP TO LONDON
post) and the photographs presented by Richard Avedon, Terry O’Neill in my INSPIRATIONAL
IMAGES post, as well as theory presented by John Berger, Stuart Hall and Susan
Sontag (see separate blog posts), I propose a project theme centred around the
portrayal and receival of gender representations in the media. More specifically,
how women are portrayed in the media. I can illustrate gender imbalances through
the portrayal of a female figure dressed in male clothing (suit) and direct my
subjects’ body language to be stereotypically masculine and dominant –
creatively and symbolically using camera angles to mimic different power
relations/sexualisation of men and women, also.
FEEDBACK
After presenting both proposals to my peers and tutor, the unanimous support was in favour of my second proposal, investigating the imbalances in gender representation in the media through photography.
It was felt by my tutor and peers, and agreed by myself, that this theme had more potential for a deeper and more complex investigative project, allowing myself to experiment more with camera angles, subject, costume etc. in order to portray a clear message through these. It would also lead to a more interesting and thought-provoking message for my audience, one that is particularly relevant in and transferable to today's society, where gender imbalances in film, society and the workplace are demanding evermore attention.
Please see separate blog posts 'LAURA STEVENS- HIM', 'NADAV KANDER', 'HE/SHE/THEY EXHIBITION', 'LAURA MULVEY', AND 'CINDY SHERMAN' for deeper critical theory and photographer research on gender representation through photography, including important inspiration from 'male gaze' theory.
Please see separate blog post 'PHOTOGRAPHY TECHNIQUE AND GENDER' for research into how different photography techniques can be used to aid my portrayal of my gender theme.
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